"Hobart’s Hemisphäreの空 releases several shorter works by artists, and the latest from Matthew Adkins caught my ear. Spectral Terrace consists of two pieces (each over ten mins) of minimalist, close contact cymbals, singing bowl, snare drum, software + more. The live amplified microsounds are fortified with mystical organicism. His clean, crisp sound puts you right there in the room alongside him. It sounds, at times, like a miniaturized, slowed version of Miles Davis’ players circa ’72 – yet in the other ear I’m experiencing some weird lab experiment on a hybrid chrysalis. Take this one for a test drive."